一九九五年一月十七日清晨，在水原雅也为父亲守夜的第二天早上，发生了大地震。他为了摆脱叔父的追债，在断垣残壁中趁乱砸死了叔父，等回过头来发现自己行凶的过程却被旁边站着的一名女子当场目击。女子自称新海美冬，双亲亦于这场震灾中罹难，举目无亲的她愿意为雅也守住杀人的秘密，雅也为她的美貌折服，于是跟这个自称是新海美冬的人走在了一起。两人约定抛却家乡的一切前往东京展开新生活。然而前方等着雅也的，却是一个个形同幻影的夜晚。为了满足美冬对"美"的追求，他们制造了各种阴谋与事件，美冬凭借其美貌、肉体与手腕魅惑男性，一步步构筑她的上流梦想帝国；而途中所有的阻碍，都交由雅也暗中协助处理。雅也深爱美冬，但他的生活却从此见不得阳光。美冬的白天正是雅也的黑夜，连系两人世界的，唯有一桩又一桩依照美冬指示的冷酷罪行。终于刑警加藤亘嗅出这数起案件的连结——凡是碰触美冬的过去的人，都逐一从世上消失，开始注意起他们；而另一方面，雅也愈爱美冬，就愈想知道她的过去。加藤与雅也两人都决心查出这名女子的真实身分，在隐藏身份躲避调查的过程中，新海美冬的秘密也渐渐浮出水面。

一九九五年一月十七日清晨，在水原雅也为父亲守夜的第二天早上，发生了大地震。他为了摆脱叔父的追债，在断垣残壁中趁乱砸死了叔父，等回过头来发现自己行凶的过程却被旁边站着的一名女子当场目击。女子自称新海美冬，双亲亦于这场震灾中罹难，举目无亲的她愿意为雅也守住杀人的秘密，雅也为她的美貌折服，于是跟这个自称是新海美冬的人走在了一起。两人约定抛却家乡的一切前往东京展开新生活。然而前方等着雅也的，却是一个个形同幻影的夜晚。为了满足美冬对"美"的追求，他们制造了各种阴谋与事件，美冬凭借其美貌、肉体与手腕魅惑男性，一步步构筑她的上流梦想帝国；而途中所有的阻碍，都交由雅也暗中协助处理。雅也深爱美冬，但他的生活却从此见不得阳光。美冬的白天正是雅也的黑夜，连系两人世界的，唯有一桩又一桩依照美冬指示的冷酷罪行。终于刑警加藤亘嗅出这数起案件的连结——凡是碰触美冬的过去的人，都逐一从世上消失，开始注意起他们；而另一方面，雅也愈爱美冬，就愈想知道她的过去。加藤与雅也两人都决心查出这名女子的真实身分，在隐藏身份躲避调查的过程中，新海美冬的秘密也渐渐浮出水面。

在泰国海边渡假胜地芭达雅，韩国兄弟泰京和在熙住在一所高级别墅裡，哥哥泰京因身怀重症到泰国养病，弟弟在熙则陪同照顾他，年轻男子旻杰的突然造访，却打乱他们的平静生活。原来在熙服役时认识了旻杰的哥哥旻勳并与他交往，在熙退伍后，旻勳在军中受到霸凌而选择自杀，旻杰对此耿耿于怀，于是前往泰国寻找在熙。 　　起初旻杰深信在熙必须对哥哥的死负责，但在朝夕相处后，他才发现在熙深爱著哥哥，更与在熙互生好感，爱意在热带幻夜中逐渐萌芽。知道自己来日不多的泰京，看出旻杰和在熙两情相悦却充满顾忌，进而想帮弟弟留住旻杰，内心却感到无法言喻的酸楚。互相抚慰的三人建立起一段微妙关係，他们必须透过瞭解、原谅与成全，才能走出自己的伤痛。

讲述了唐门掌门唐阿朵在龙门客栈内身陷时间轮回的离奇事件，在时间轮回中，她经历了反复被杀又复活的惊魂一夜，并最终抓住真凶、剿灭邪教的故事。

在泰国海边渡假胜地芭达雅，韩国兄弟泰京和在熙住在一所高级别墅裡，哥哥泰京因身怀重症到泰国养病，弟弟在熙则陪同照顾他，年轻男子旻杰的突然造访，却打乱他们的平静生活。原来在熙服役时认识了旻杰的哥哥旻勳并与他交往，在熙退伍后，旻勳在军中受到霸凌而选择自杀，旻杰对此耿耿于怀，于是前往泰国寻找在熙。 　　起初旻杰深信在熙必须对哥哥的死负责，但在朝夕相处后，他才发现在熙深爱著哥哥，更与在熙互生好感，爱意在热带幻夜中逐渐萌芽。知道自己来日不多的泰京，看出旻杰和在熙两情相悦却充满顾忌，进而想帮弟弟留住旻杰，内心却感到无法言喻的酸楚。互相抚慰的三人建立起一段微妙关係，他们必须透过瞭解、原谅与成全，才能走出自己的伤痛。

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

从无敌手的“万恶”妖王樊大夭不幸败在了矜贵公子沈望尘的手下，于是被迫从良，在沈公子的监督下开始了啼笑皆非的妖界“变形记”，并渐渐想起了二人前世的宿命纠葛。本片由北京煌炜艺嘉影视传媒有限公司出品，杨泰导演，胡丹丹任总制片人，胡丹丹、杨泽、刘家岐、刘容榕、李慕宇等人主演 ，讲述一段甜宠、沙雕、奇幻的古装爱情故事，在自然的甜宠下包含着一丝现实意义的表达，笑点与槽点齐飞，治愈和温馨并存。

盛唐洛阳，户部侍郎千金叶远安好打不平，在一起花魁被杀案中，误打误撞结识了英勇的捕头赵澜之。两人携手破案，相识相知。远安从集市上救了一个身份神秘的失忆男子穆乐，收为家仆，岂料一根筋的穆乐对自己绝对忠诚，渐渐萌发爱恋痴念。在罗天洞、景王府等案件中，三人配合紧密，屡破奇案，并挫败了隐藏于这些案件背后的国师天桥夺取至宝九星念珠的阴谋。天桥之徒明慧郡主爱上澜之，以远安性命胁迫澜之成亲。远安倍感失落，赌气要嫁给穆乐，却被穆乐误会。穆乐伤心之余，发现自己竟是异域落难王子，于是盗走刻有奇门异术的九星念珠，回国复仇。远安和赵澜之、明慧追踪而来，四人携手平定了祸乱，他们也因此找到了真爱所在。

盛唐洛阳，户部仕郎千金叶远安好打不平，在一起花魁被杀害中，误打误撞结识了英勇的捕头赵澜之。两人携手破案，相识相知。远安从集市上救了一个身份神秘…